{"title":"Owsley Stanley Foundation Merch Mountain Store","description":"\u003cp\u003ehttps:\/\/owsleystanleyfoundation.org\/\u003c\/p\u003e","products":[{"product_id":"the-allman-brothers-band-fillmore-east-february-1970-deluxe-edition","title":"OSF The Allman Brothers Band, Fillmore East, February 1970, DELUXE EDITION 3 CD Set","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eShips Now!\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003e3 CD Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003eBear’s complete recordings of the Allman Brothers Band from these historic shows on February 11, 13, \u0026amp; 14, 1970\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003eExpanded 16-page booklet, including rare band photos and a photo of Bear in the soundbooth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003eComplete versions of the three earliest known live concert recordings of “In Memory of Elizabeth Reed”\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eThe Allman Brothers Band, Fillmore East, February 1970, DELUXE EDITION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eYou asked for it, so here it is! The Owsley Stanley Foundation \u0026amp; the Allman Brothers Band are pleased to present Bear’s complete recordings of the Allman Brothers Band at the Fillmore East in February 1970 in CD format. Available only on our website and at the Big House Museum, this Deluxe Edition, 3-CD set will include the already-released compilation CD along with 2 CDs of the source material from all three nights — the complete set of Bear’s Sonic Journals from each show as played on February 11, 13, \u0026amp; 14, 1970, including all three complete versions of the earliest known live concert recordings of “In Memory of Elizabeth Reed.” We also expanded the booklet to include more photos from these historic nights, taken by Bear’s good friend, Amalie Rothschild. The photos include an extremely rare shot of Bear in the soundbooth, up in the balcony overlooking the stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eImportant Note:\u003c\/b\u003e These recordings were not previously released on CD in their entirety because they contain significant flaws, primarily due to reel changes in the middle of songs. We released them last summer as high resolution downloads, but many of our listeners preferred to have a physical copy. We get it; we’re the same way. Moreover, it was Bear’s wish that these recordings (especially February 14) be released in whole because they are sonically pure and include important, previously unreleased material of the band with Duane in his prime. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTrack Listing\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eCD 1: The Compilation CD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e1. In Memory of Elizabeth Reed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e2. Hoochie Coochie Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e3. Statesboro Blues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e4. Trouble No More\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e5. Outskirts of Town\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e6. Whipping Post\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e7. Mountain Jam\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eCD 2:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eFebruary 11, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e1. In Memory of Elizabeth Reed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e2. Statesboro Blues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e3. Trouble No More\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e4. Hoochie Coochie Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e5. Mountain Jam (Incomplete)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eFebruary 13, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e1. In Memory of Elizabeth Reed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e2. Outskirts of Town (Cut)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e3. Mountain Jam (Incomplete)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eCD 3: February 14, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e1. In Memory of Elizabeth Reed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e2. Hoochie Coochie Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e3. Outskirts of Town (Incomplete)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e4. Whipping Post\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003e5. Mountain Jam (Incomplete)\u003c\/span\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":36067944661152,"sku":"SKU 36159","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/Untitled-1_7387db11-5507-48ff-a4e3-e90f25c5639b.jpg?v=1636134939"},{"product_id":"dawn-of-the-new-riders-of-the-purple-sage","title":"OSF Dawn of the New Riders of the Purple Sage 5 CD Box Set","description":"\u003cp\u003eBear’s Sonic Journals: Dawn of the New Riders of the Purple Sage -\u003c\/p\u003e\n\u003cp\u003e5 CD Box Set\u003cbr\u003e“ sitting around the bar drinking and fighting music — you can drink and fight” — Jerry Garcia\u003cbr\u003eMore than 5 hours of unreleased live concert recordings from the earliest days of the band!\u003cbr\u003eThis 5-CD set features nearly two-dozen songs never before officially released by the New Riders or the Grateful Dead, including several New Riders’ originals from a largely undocumented period in the band’s evolution.\u003cbr\u003eThe performances begin on Jerry Garcia’s 27th birthday at the aptly-named Bear’s Lair in Berkeley and captures performances from 4 different venues on 9 different nights.\u003cbr\u003eThe band consists of John “Marmaduke” Dawson (guitar, vocals), Jerry Garcia (pedal steel), David Nelson (electric guitar), Mickey Hart (drums), and Bob Matthews and Dave Torbert on bass.\u003cbr\u003eHighlights also include 9 songs with guest artist “Bobby Ace” Weir and two tracks with Will Scarlett on harmonica.\u003cbr\u003eThis is history unvarnished, but it’s pure and spirited and filled with so many moments that will touch the hearts of NRPS\/GD fans.\u003cbr\u003eMastered from the original tapes captured by legendary Grateful Dead soundman, Owsley Stanley, a\/k\/a Bear, who is known for the purity of his “Sonic Journal” recordings.\u003cbr\u003eThese tapes were transferred and restored to the most exacting audiophile standards, utilizing state-of-the-art Plangent Processes techniques to remove subtle timing distortions created by the recording and playback devices.\u003cbr\u003eThe mastering was done by Jeffrey Norman (Mockingbird Mastering), long-time collaborator with the Grateful Dead and Owsley Stanley.\u003cbr\u003eThe 16-page booklet includes rare and previously unreleased vintage photographs and liner notes based on recent interviews with David Nelson and Bob Weir.\u003cbr\u003eOriginal cover art by Nina Stanley, Owsley’s daughter, based on a design by Starfinder Stanley, Owsley’s son.\u003cbr\u003eCD Track List:\u003cbr\u003e\u003cbr\u003eChapter 1 – August 1, 1969, Bear’s Lair, Berkeley, California (Set 2)\u003cbr\u003eDisc 1:\u003cbr\u003e1. Six Days On The Road\u003cbr\u003e2. Henry\u003cbr\u003e3. What’s Made Milwaukee Famous\u003cbr\u003e4. I’ve Got A Tiger By The Tail\u003cbr\u003e5. Don’t Take Any Chances\u003cbr\u003e6. Connection\u003cbr\u003e7. Delilah\u003cbr\u003e\u003cbr\u003eBonus Tracks from Set 1\u003cbr\u003e8. A-11\u003cbr\u003e9. Garden of Eden\u003cbr\u003e10. Hello Trouble\u003cbr\u003e11. Last Lonely Eagle\u003cbr\u003e12. Whatcha Gonna Do\u003cbr\u003e\u003cbr\u003eDisc 2:\u003cbr\u003e1. Zebra Dun\u003cbr\u003e2. Jerry Explains His Instrument\u003cbr\u003e3. Kaw-Liga\u003cbr\u003e4. Sweet Lovin’ One\u003cbr\u003e5. Fair Chance To Know\u003cbr\u003e6. Long Black Limousine\u003cbr\u003e7. All I Ever Wanted\u003cbr\u003e8. Truck Drivin’ Man\u003cbr\u003e9. The Lady Came From Baltimore\u003cbr\u003e10. Games People Play\u003cbr\u003e11. Introducing the “Murdering Punks”\u003cbr\u003e12. To Have the Hurting End\u003cbr\u003e13. I am Your Man\u003cbr\u003e14. Henry\u003cbr\u003e\u003cbr\u003eChapter 2 – August 28, 1969, The Family Dog at the Great Highway, San Francisco, California\u003cbr\u003eDisc 3:\u003cbr\u003e1. Six Days On The Road\u003cbr\u003e2. I Am Your Man\u003cbr\u003e3. Last Lonely Eagle\u003cbr\u003e4. Whatcha Gonna Do\u003cbr\u003e5. Introducing the Famous Bobby Ace\u003cbr\u003e6. Mama Tried*\u003cbr\u003e7. Cathy’s Clown*\u003cbr\u003e8. Old Old House*\u003cbr\u003e9. Me \u0026amp; My Uncle*\u003cbr\u003e10. Seasons of My Heart*\u003cbr\u003e11. Slewfoot*\u003cbr\u003e\u003cbr\u003eBonus Tracks\u003cbr\u003e12. To Have the Hurting End (August 29, 1969)\u003cbr\u003e13. The Games People Play (August 29, 1969)\u003cbr\u003e14. Superman (August 30, 1969)\u003cbr\u003e15. Saw Mill* (August 30, 1969)\u003cbr\u003e\u003cbr\u003eChapter 3 – October 14, 1969, Mandrake’s, Berkeley, California\u003cbr\u003eDisc 4:\u003cbr\u003e1. Only Daddy That’ll Walk the Line\u003cbr\u003e2. Fair Chance To Know\u003cbr\u003e3. Mama Tried\u003cbr\u003e4. I Still Miss Someone\u003cbr\u003e5. Crossover\u003cbr\u003e6. The Weight\u003cbr\u003e\u003cbr\u003eBonus Tracks\u003cbr\u003e7. Garden of Eden (October 15, 1969)\u003cbr\u003e8. Long Black Veil (October 15, 1969)**\u003cbr\u003e9. Death and Destruction (October 15, 1969)**\u003cbr\u003e\u003cbr\u003eChapter 4 – June 4, 1970, Fillmore West, San Francisco, California\u003cbr\u003eDisc 5:\u003cbr\u003e1. Henry\u003cbr\u003e2. Fair Chance To Know\u003cbr\u003e3. The Race Is On*\u003cbr\u003e4. Mama Tried*\u003cbr\u003e5. Honky Tonk Women*\u003cbr\u003e\u003cbr\u003eBonus Tracks\u003cbr\u003e6. I Don’t Know You (June 5, 1970)\u003cbr\u003e7. Superman (June 5, 1970)\u003cbr\u003e8. If you Hear Me When I’m Leaving (June 5, 1970)\u003cbr\u003e9. Louisiana Lady (June 5, 1970)\u003cbr\u003e10. The Weight (June 5, 1970)\u003cbr\u003e11. Portland Woman (June 7, 1970)\u003cbr\u003e\u003cbr\u003e* Bobby “Ace” Weir – Guitar, Vocals\u003cbr\u003e** Will Scarlett – Harmonica\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":36067944759456,"sku":"SKU 36162","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/002-15.jpg?v=1599297107"},{"product_id":"doc-merle-watson-never-the-same-way-once-live-at-the-boarding-house-may-1974","title":"OSF Doc \u0026 Merle Watson: Never the Same Way Once  – Live at the Boarding House – May 1974 7 CD Set","description":"\u003cp\u003eDoc \u0026amp; Merle Watson: Never the Same Way Once – Live at the Boarding House – May 1974 \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e7 CD Set\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis set of exquisitely recorded live concerts of Doc \u0026amp; Merle Watson at The Boarding House in San Francisco is from 4 live shows recorded in 1974 by the legendary soundman Owsley Stanley. It contains 94 tracks on 7 CDs, including several rare tracks and songs played for the first\/only time by Doc \u0026amp; Merle. This is the first box set of live concert recordings of Doc \u0026amp; Merle Watson and is the first release created by the Owsley Stanley Foundation, a non-profit established to preserve and steward Owsley’s legendary recordings, which are renowned for their quality and clarity. These performances have not been heard since the nights they were played more than 40 years ago and have been preserved and restored to the highest audiophile standards. Each night is distinctly brilliant and equally captivating – reflecting differences in the playing, sound recording techniques, and the energy in the room.\u003cbr\u003e\u003cbr\u003eDoc Watson was a legendary American flat-picking guitarist, songwriter and singer of bluegrass, folk, country, blues, and gospel music, who won 7 GRAMMY Awards and a GRAMMY Lifetime Achievement Award. He performed with his son, the multi-instrumentalist Merle Watson, for more than 15 years until Merle’s death in 1985. Live recordings from this peak period for Doc and Merle in the 1970s are rare.\u003cbr\u003e\u003cbr\u003e1960’s counter-culture icon Owsley Stanley, known as “Bear” to his friends, was an audio innovator who helped create the first high-fidelity concert sound systems for rock and roll. As an early patron and first soundman of the Grateful Dead, he amplified, recorded, and influenced many other seminal artists in the psychedelic music scene of San Francisco and beyond in the 1960s and early 1970s, and was known for his focus on products of the highest quality. From the start, Bear recorded nearly every artist that played through a sound system that he built, trying to capture the music precisely as the audience heard it, using the recordings to help him improve his sound. The techniques he developed to create what he called his “Sonic Journals” resulted in recordings of unparalleled quality and clarity, capturing the sound of the room like no-one else.\u003cbr\u003e\u003cbr\u003e‘Never the Same Way Once’ was mastered by Jeffrey Norman of Mockingbird Mastering, a frequent Grateful Dead mastering engineer and one of Bear’s trusted friends and colleagues. State-of-the-art Plangent Process transfer techniques were used to remove subtle timing distortions created by the recording and playback devices (wow and flutter), resulting in the most accurate replication of the music, exactly as it was heard on the night it was played.\u003cbr\u003e\u003cbr\u003eThis 7 CD set is packaged in a 5.5 inch wide x 5 inch high x 1.75 inch deep box, featuring 94 tracks, including extraordinary flatpicking of a broad range of music, from bluegrass to swing jazz to rockabilly to gut-bucket blues, and contemporary folk.\u003cbr\u003e\u003cbr\u003eThe included 16 page booklet contains contemporaneous photographs of Doc \u0026amp; Merle as well as of “Old Hoss,” Doc’s first Gallagher guitar which he played from 1968-1974. Old Hoss was retired after this tour and is also featured in the cover art ​​– an original poster by ​frequent ​Grateful Dead ​artist, Mike DuBois, based on a design by Bear’s son, Starfinder. Also included is a new in-depth interview with bassist T. Michael Coleman, who performs with Doc and Merle on these recordings, and an original essay by David Holt, 4-time GRAMMY winner and a longtime Doc Watson collaborator.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eChapter 1: May 1, 1974 (reels 038-040) -One disc\u003cbr\u003e\u003cbr\u003eSalty Dog Blues\u003cbr\u003eDoc’s Talking Blues\u003cbr\u003eBlue Yodel No. 1 (T for Texas)\u003cbr\u003eMiss The Mississippi \u0026amp; You\u003cbr\u003eWabash Cannonball\u003cbr\u003eNancy Rowland\u003cbr\u003eSolid Gone\u003cbr\u003eTennessee Stud\u003cbr\u003eFrosty Morn\u003cbr\u003eMatchbox Blues\u003cbr\u003eMama Don’t Allow No Music\u003cbr\u003eDeep Elem Blues\u003cbr\u003eChapter 2: May 2, 1974 (reels 028-032) – Two discs\u003cbr\u003e\u003cbr\u003eIntroduction\u003cbr\u003eGood Ole Mountain Dew\u003cbr\u003eTravellin’ Man\u003cbr\u003eMiss The Mississippi \u0026amp; You\u003cbr\u003eWabash Cannonball\u003cbr\u003eLeather Britches\/Cotton Eyed Joe\u003cbr\u003eA Rovin’ on a Winter’s Night\u003cbr\u003eTennessee Stud\u003cbr\u003eBlack Mountain Rag\u003cbr\u003eSt. James Infirmary\u003cbr\u003eLove Me\u003cbr\u003eBlue Suede Shoes\u003cbr\u003eSweet Georgia Brown\u003cbr\u003eLonesome Moan\u003cbr\u003eThe Clouds Gwine Roll Away\u003cbr\u003eThree Times Seven\u003cbr\u003ePeach Pickin’ Time In Georgia\u003cbr\u003ePoor Boy Blues\u003cbr\u003eNancy Rowland\/Salt Creek\u003cbr\u003eAlberta\u003cbr\u003eMovin’ On\u003cbr\u003eSmoke! Smoke! Smoke!\u003cbr\u003eWalk on Boy\u003cbr\u003eNothin’ To It\u003cbr\u003eBlue Railroad Train\u003cbr\u003eBrown’s Ferry Blues\u003cbr\u003eBeaumont Rag\u003cbr\u003eChapter 3: May 3, 1974 (reels 033-037) – Two discs\u003cbr\u003e\u003cbr\u003eNew River Train\u003cbr\u003eDoggone My Time\u003cbr\u003ePeach Pickin’ Time in Georgia\u003cbr\u003ePoor Boy Blues\u003cbr\u003eNancy Rowland\/Salt Creek\u003cbr\u003eAlberta\u003cbr\u003eNatural Born Gamblin’ Man\u003cbr\u003eDoc’s Guitar\u003cbr\u003eMatchbox Blues\u003cbr\u003eStreamlined Cannonball\u003cbr\u003eSummertime\u003cbr\u003eLove Me\u003cbr\u003eBlue Suede Shoes\u003cbr\u003eMama Don’t Allow No Music\u003cbr\u003eFreight Train Boogie\u003cbr\u003eLife Gets Teejus Don’t It\u003cbr\u003eMiss the Mississippi \u0026amp; You\u003cbr\u003eWabash Cannonball\u003cbr\u003eLeather Britches\/Cotton-Eyed Joe\u003cbr\u003eBye Bye Bluebell\u003cbr\u003eTennessee Stud\u003cbr\u003eSouth Coast\u003cbr\u003eSweet Georgia Brown\u003cbr\u003eSt. James Infirmary\u003cbr\u003eStep It Up \u0026amp; Go\u003cbr\u003eJailhouse Rock\u003cbr\u003eChapter 4: May 4, 1974 (reels 041-046) – Two discs\u003cbr\u003e\u003cbr\u003eIntroduction\u003cbr\u003eWay Down Town\u003cbr\u003eBillboard Song\u003cbr\u003eBlue Yodel No. 1 (T for Texas)\u003cbr\u003eMiss the Mississippi \u0026amp; You\u003cbr\u003ePoor Boy Blues\u003cbr\u003eNancy Rowland\/Old Joe Clark\u003cbr\u003eChicken Road\u003cbr\u003eThe Last Thing on My Mind\u003cbr\u003eSolid Gone\u003cbr\u003eSouth Coast\u003cbr\u003eGoing Down the Road Feelin’ Bad\u003cbr\u003eSummertime\u003cbr\u003eLove Me\u003cbr\u003eJailhouse Rock\u003cbr\u003eHound Dog\u003cbr\u003eBrown’s Ferry Blues\u003cbr\u003eGambler’s Yodel\u003cbr\u003ePeach Pickin’ Time in Georgia\u003cbr\u003eWabash Cannonball\u003cbr\u003eBeaumont Rag\u003cbr\u003eIn the Jailhouse Now\u003cbr\u003eLovesick Blues\u003cbr\u003eBlack Mountain Rag\u003cbr\u003eTennessee Stud\u003cbr\u003eSt. James Infirmary\u003cbr\u003eSheik of Araby\u003cbr\u003eStep It Up \u0026amp; Go\u003cbr\u003eMama Don’t Allow No Music\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":36067945742496,"sku":"SKU 36164","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/003-14.jpg?v=1599297111"},{"product_id":"bears-sonic-journals-before-we-were-them","title":"OSF Bear’s Sonic Journals: JORMA \u0026 JACK Before We Were Them CD","description":"\u003cp\u003eBear’s Sonic Journals: Before We Were Them (Veterans Memorial Building, June 28, 1969)\u003cbr\u003e\u003cbr\u003e\u003ci\u003eI am in awe of the unbridled fury of will Jorma and I had to explore and search out our developing musical landscape together. Every day truly was a new adventure for our young hearts.\u003c\/i\u003e\u003cbr\u003e-Jack Casady\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"a-spacing-mini\"\u003eBear's Sonic Journals: Before We Were Them\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003eIt’s not just the energy of youth that shakes me when I listen to these tracks — it’s the musical dialogue that Jack and I shared in these amazing moments. -Jorma Kaukonen\u003cbr\u003e\u003cbr\u003eThe Owsley Stanley Foundation presents its third chapter: Bear’s Sonic Journals: Before We Were Them, Jorma Kaukonen \u0026amp; Jack Casady, Veterans Memorial Building, June 28, 1969, available now on CD. This live concert recording features recently discovered and previously unreleased music from Jefferson Airplane’s fabled guitar and bass players before they became known as Hot Tuna.\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":36067998630048,"sku":"SKU 46857","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/004-4.jpg?v=1599297312"},{"product_id":"doc-merle-watson-poster-signed-and-numbered-run-of-200","title":"OSF Doc \u0026 Merle Watson Poster – Signed and numbered run of 200","description":"\u003cul\u003e\n\u003cli\u003eBy Mike Dubois, after a sketch by Starfinder Stanley\u003c\/li\u003e\n\u003cli\u003eLimited Edition of 200, signed and numbered\u003c\/li\u003e\n\u003cli\u003eImage of Gallagher guitar that Doc played from 1968 to 1974\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eDescription\u003c\/h2\u003e\u003cbr\u003eGallagher Mandala Poster. Poster art is by the incomparable Mike DuBois, based on a sketch by Starfinder Stanley. 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Post\u003c\/i\u003e)\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"gmail_default\"\u003eas well as \u003c\/span\u003e“perhaps the greatest musician in the world” (Yehudi Menuhin). He was identified as a key influence by the Beatles, Grateful Dead, Rolling Stones, and Santana.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis release is one of the most evocative recordings of Ali Akbar Khan from the era,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"gmail_default\"\u003edue to \u003c\/span\u003eOwsley’s tapes\u003cspan class=\"gmail_default\"\u003e'\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003euncanny ability to transport the listener\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"gmail_default\"\u003ein\u003c\/span\u003eto the room\u003cspan class=\"gmail_default\"\u003e\u003cspan\u003e \u003c\/span\u003eon\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ethat night. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eThis album features more than two hours of music from Ali Akbar Khan’s May 29, 1970 live performance at the Family Dog at the Great Highway, San Francisco, CA. \u003c\/li\u003e\n\u003cli\u003eExquisite sound quality -- close your eyes, and you will be in the room!\u003c\/li\u003e\n\u003cli\u003eThe 2-CD set includes original cover art by Chris Gallen, unpublished photographs, and an extensive 28-page booklet with notes featuring new interviews from Ali Akbar Khan’s family and colleagues. \u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eThe notes explore some of the surprising connections between the Grateful Dead and Ali Akbar Khan, some of Bear’s theories about the impact of Indian classical music on the human central nervous system, and the intense rigor and discipline required to play this music. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eRecorded live at the soundboard by the legendary Grateful Dead soundman, Owsley Stanley, a\/k\/a Bear, who is known for the purity of his “Sonic Journals” recordings\u003cspan class=\"gmail_default\"\u003e.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThese tapes were transferred and mastered by Jeffrey Norman (Mockingbird Mastering), long-time collaborator with the Grateful Dead and Owsley Stanley.\u003c\/li\u003e\n\u003c\/ul\u003e\nIt’s been said that Bear’s tapes are like a time machine; this release starts 50 years ago and will take you back 500 years in time, to the origins of a musical tradition that was believed to have the power to heal…or even to harm if misplayed. Come and take\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"gmail_default\"\u003ethis\u003c\/span\u003e magical trip with us!\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eCD Track List: \u003c\/div\u003e\n\u003cdiv\u003eDisc 1: Zila Kafi 46:33 \u003c\/div\u003e\n\u003cdiv\u003eDisc 2: Sindhu Bhairavi 73:48  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":37589520908472,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/02_edf5ab49-653f-48b1-ad45-a33ded94d551.jpg?v=1606233324"},{"product_id":"osf-doc-merle-watson-never-the-same-way-once-live-at-the-boarding-house-may-1974-double-vinyl-set","title":"OSF Doc \u0026 Merle Watson: Never the Same Way Once – Live at the Boarding House – May 1974 Double Vinyl Set","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tab-pane fade active in\" id=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003eHalf-speed analog-to-analog mastered, 180-gram 45 RPM Double LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning all-analog production painstakingly mastered by Paul Stubblebine directly from the original source tape!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThis exquisitely recorded live concert of Doc \u0026amp; Merle Watson at The Boarding House in San Francisco is one of four live shows recorded in 1974 by the legendary soundman Owsley Stanley. All four shows can be heard in their entirety on the 7-CD box set available here, or as high-resolution digital downloads available on Acoustic Sounds through the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/owsleystanleyfoundation.org\/\"\u003eOwsleystanleyfoundation.org\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewebsite. These Doc and Merle Watson recordings are the first release of Bear's Sonic Journals presented by the Owsley Stanley Foundation, a non-profit organization established to preserve and steward Owsley’s legendary recordings, which are renowned for their quality and clarity.\u003c\/p\u003e\n\u003cp\u003eThese performances have not been heard since the nights they were played more than 40 years ago and have been preserved and restored to the highest audiophile standards. Each night is distinctly brilliant – reflecting differences in the playing, sound recording techniques, and the energy in the room. We chose this particularly captivating night to feature for this special vinyl set.\u003cbr\u003e\u003cbr\u003eDoc Watson was a legendary American flat-picking guitarist, songwriter and singer of bluegrass, folk, country, blues, and gospel music, who won seven Grammy Awards and a Grammy Lifetime Achievement Award. He performed with his son, the multi-instrumentalist Merle Watson, for more than 15 years until Merle's death in 1985. Live recordings from this peak period for Doc and Merle in the 1970s are rare.\u003cbr\u003e\u003cbr\u003e1960's counter-culture icon Owsley Stanley, known as \"Bear\" to his friends, was an audio innovator who helped create the first high-fidelity concert sound systems for rock and roll. As an early patron and first soundman of the Grateful Dead, he amplified, recorded, and influenced many other seminal artists in the psychedelic music scene of San Francisco and beyond in the 1960s and early 1970s, and was known for his focus on products of the highest quality. From the start, Bear recorded nearly every artist that played through a sound system that he built, trying to capture the music precisely as the audience heard it, using the recordings to help him improve his sound. The techniques he developed to create what he called his \"Sonic Journals\" resulted in recordings of unparalleled quality and clarity, capturing the sound of the room like no-one else.\u003cbr\u003e\u003cbr\u003eDoc \u0026amp; Merle's performance from May 2, 1974, is now available on half-speed master, 45 RPM 180-gram audiophile vinyl, mastered directly analog-to-analog by Paul Stubblebine, who worked with Bear on the \u003cem\u003eBig Brother and the Holding Company featuring Janis Joplin Sonic Journals \u003c\/em\u003ealbum released by Sony in 2012.\u003cbr\u003e\u003cbr\u003e\"The most extraordinary Doc Watson ever captured on tape. EVER.\" — Robert Baird, \u003cem\u003eStereophile\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":37661701734584,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/Doclp.jpg?v=1607367930"},{"product_id":"osf-stainless-steel-etched-logo-tumbler","title":"OSF STAINLESS STEEL Etched Logo TUMBLER","description":"\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-element=\"inner\" style=\"justify-content: flex-start; display: flex; flex-direction: column; background-position: left top; background-size: cover; background-repeat: no-repeat; background-attachment: scroll; border-style: none; border-width: 1px; border-radius: 0px; margin: 0px 0px 10px; padding: 10px;\"\u003e\u003cdiv 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data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cspan\u003eBear's Sonic Journals: Tim Buckley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at the Carousel Ballroom\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSan Francisco, California, June 15-16, 1968\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNearly 80 minutes of rare and magical music!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNever-before-released original compositions and rare covers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28-Page Booklet\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis is the most important Tim Buckley release since\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDream Letter\u003c\/em\u003e, featuring a singular performance with a jazz-rock lineup that calls to mind Van Morrison’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAstral Weeks\u003c\/em\u003e. Buckley, father of Jeff Buckley, made his mark with his Southern California folk-rock sound and four-octave vocal range. But this rich weave of accessible, warm, improvisational music reveals Buckley in a light never before captured on tape, including two newly discovered songs (“Blues, Love\" and “The Lonely Life”), early drafts of Buckley classics, and a stunning cover of Fred Neil’s “Merry-Go-Round.” Recorded by the Grateful Dead’s legendary soundman Owsley “Bear” Stanley, the infamous LSD chemist, this is one of the treasures of his Sonic Journal archive. 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Collins on percussion.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThese tapes were transferred and mastered by Jeffrey Norman (Mockingbird Mastering), long-time collaborator with the Grateful Dead and Owsley Stanley.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“This is the follow-up to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDream Letter\u003c\/em\u003e. Between the sonics and the songs, this is a major moment in Buckley land.”\u003cbr data-mce-fragment=\"1\"\u003e—\u003cem data-mce-fragment=\"1\"\u003ePat Thomas, Tim Buckley scholar\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“A great discovery! … Even though tracks here appear elsewhere in studio albums or other concert recordings, they are not the same at all. They are reinvented. And that’s why every single [release] is worth listening to.”—\u003cem data-mce-fragment=\"1\"\u003eLarry Beckett, Tim Buckley lyricist\u003c\/em\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":39558987874488,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/02_56fe3eec-78a7-44ed-ad90-12f5ce506dc1.jpg?v=1619623093"},{"product_id":"osf-allman-brothers-band-fillmore-east-february-1970-second-edition-poster","title":"OSF Allman Brothers Band Fillmore East, February 1970 SECOND EDITION POSTER - D7","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan face=\"Helvetica, Verdana, Arial\" style=\"font-family: Helvetica, Verdana, Arial;\"\u003e\u003cspan\u003eBack by popular demand! The first version of this poster sold out in just 2 days at the Peach Music Festival in 2018, and folks have asked about it ever since, so we decided to bring this poster back as a second edition limited run to celebrate the reissue of the Deluxe 3-CD release!\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Helvetica, Verdana, Arial\" style=\"font-family: Helvetica, Verdana, Arial;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e$50 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAllman Brothers Band\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFillmore East, February 1970\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSECOND EDITION POSTERS \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eArt By Mike Dubois\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned and Numbered\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cspan\u003eLimited run of 100\u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e           16 x 20 inches\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":39559749271736,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/post.jpg?v=1618855279"},{"product_id":"osf-tim-buckley-at-the-carousel-ballroom-poster","title":"OSF Tim Buckley at the Carousel Ballroom Poster - D6","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Helvetica, Verdana, Arial\" style=\"font-family: Helvetica, Verdana, Arial;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned and Numbered\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cspan\u003eLimited run of 100\u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e13×19 inches\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":39820330533048,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/buckposter.jpg?v=1622813577"},{"product_id":"osf-bear-s-sonic-journals-fillmore-east-february-1970-vinyl-lp","title":"OSF BEAR’S SONIC JOURNALS: FILLMORE EAST, FEBRUARY 1970 VINYL LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese songs were culled from several performances at the Fillmore East when the Allman Brothers Band opened for the Grateful Dead – the first of many times that the Brothers and The Dead played together in the seventies. Produced and recorded by the Dead’s Sound Engineer, Owsley Stanley. The recordings feature the lineup of Duane Allman (Lead \u0026amp; Slide Guitars), Gregg Allman (Vocals, Hammond B-3 Organ), Dickey Betts (Lead Guitar), Berry Oakley (Bass, Vocals), Jaimoe (Drums, Percussion), and Butch Trucks (Drums, Tympani).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"accordion-content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"disc-list\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"disc-list\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide 1\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Memory of Elizabeth Reed (9:22)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHoochie Coochie Man (6:04)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStatesboro Blues (4:16)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrouble No More (4:11)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutskirts of Town (8:29)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhipping Post (8:11)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"disc-list\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide 2\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMountain Jam (31:06)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n10. Mountain Jam, Cont'd.","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":39963332673720,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/Template-Recovered.jpg?v=1624982541"},{"product_id":"osf-johnny-cash-at-the-carousel-ballroom-april-24-1968","title":"OSF JOHNNY CASH AT THE CAROUSEL BALLROOM, APRIL 24, 1968 2 LP Set","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan style=\"color: #ff1010;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eSHIPPING NOW!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eANY ITEMS PURCHASED WITH THIS PRE-SALE ITEM WILL ALSO SHIP ON THE ADVERTISED RELEASE DATE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble LP, All Analog Production\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFeaturing an hour of live performances from April 24, 1968, at the Carousel Ballroom in San Francisco, CA. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e12-page booklet includes musings on Johnny Cash from contributors Bob Weir, John Carter Cash, and Dave Schools.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA stunning all-analog production painstakingly mastered by Bear’s collaborator Paul Stubblebine directly from the original source tape!\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal artwork by 3x Grammy-winner Susan Archie.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” –John Carter Cash\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAt Folsom Prison\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAt San Quentin\u003c\/em\u003e. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eJohnny Cash - At the Carousel Ballroom\u003c\/em\u003e, recorded on April 24, 1968, captures the Man in Black at the height of his charismatic powers. Confidently departing from the more formalized setlist he’d been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his longtime musicians—guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland—connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley “Bear” Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear’s continuing “sonic journal” of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he’d captured.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I don’t think there are any live recordings of Johnny that weren’t originally intended to be an album. So to be able to stumble across such a live recording during such a golden era for him, and find that it was recorded in such a dynamic way, is incredible. It’s an opportunity to show Johnny in a new light. When John Carter Cash heard the first fifteen seconds of this recording, he recognized it as something significant. It has a three-dimensional, dynamic quality that a lot of live music from that era does not have.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e–Josh Matas, on behalf of the John R. Cash Trust\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApril 24, 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eCocaine Blues\u003c\/li\u003e\n\u003cli\u003eLong Black Veil\u003c\/li\u003e\n\u003cli\u003eGoing To Memphis\u003c\/li\u003e\n\u003cli\u003eThe Ballad Of Ira Hayes\u003c\/li\u003e\n\u003cli\u003eRock Island Line\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide B:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eGuess Things Happen That Way\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eDon't Think Twice, It's All Right\u003c\/li\u003e\n\u003cli\u003eGive My Love To Rose\u003c\/li\u003e\n\u003cli\u003eGreen, Green Grass Of Home\u003c\/li\u003e\n\u003cli\u003eOld Apache Squaw\u003c\/li\u003e\n\u003cli\u003eLorena\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide C:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eForty Shades Of Green\u003c\/li\u003e\n\u003cli\u003eBad News\u003c\/li\u003e\n\u003cli\u003eJackson - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eTall Lover Man - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eJune Carter Medley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide D:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eLong Legged Guitar Pickin' Man - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eRing Of Fire\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eDon't Take Your Guns To Town\u003c\/li\u003e\n\u003cli\u003eI Walk The Line\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col class=\"ol1\"\u003e\u003c\/ol\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":40011953143992,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/CashLP.jpg?v=1625673418"},{"product_id":"osf-johnny-cash-at-the-carousel-ballroom-april-24-1968-cd","title":"OSF JOHNNY CASH AT THE CAROUSEL BALLROOM, APRIL 24, 1968 CD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #ff1010;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003eSHIPPING NOW!\u003c\/span\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eAfter a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAt Folsom Prison\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAt San Quentin\u003c\/em\u003e. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohnny Cash - At the Carousel Ballroom\u003c\/em\u003e, recorded on April 24, 1968, captures\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003eMan in\u003cspan\u003e \u003c\/span\u003eBlack\u003cspan\u003e \u003c\/span\u003eat the height of his charismatic powers. Confidently departing from the more formalized setlist he’d been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his longtime musicians—guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland—connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhat makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley “Bear” Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear’s continuing “sonic journal” of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he’d captured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Owsley Stanley Foundation presents Bear’s Sonic Journals: Johnny Cash\u003c\/p\u003e\n\u003cp\u003eAt the Carousel Ballroom, April 24, 1968\u003c\/p\u003e\n\u003cul style=\"font-weight: 300;\"\u003e\n\u003cli\u003eFeaturing more than an hour of live performances from April 24, 1968 at the Carousel Ballroom in San Francisco, CA. \u003c\/li\u003e\n\u003cli\u003eAvailable in CD, all analog Double LP Vinyl, and Limited Edition Deluxe Box Set featuring: a vintage Johnny Cash Comic Book, colored vinyl, original concert poster and more.\u003c\/li\u003e\n\u003cli\u003eExtensive liner notes include musings on Johnny Cash from contributors Bob Weir, John Carter Cash, and Dave Schools.\u003c\/li\u003e\n\u003cli\u003eOriginal artwork by\u003cspan\u003e \u003c\/span\u003e3x\u003cspan\u003e \u003c\/span\u003eGrammy-winner Susan Archie\u003c\/li\u003e\n\u003cli\u003eDigital master by Jeffrey Norman,\u003cspan\u003e \u003c\/span\u003elong-time\u003cspan\u003e \u003c\/span\u003ecollaborator with the Grateful Dead and Owsley Stanley. For vinyl, all analog master by Bear’s collaborator Paul Stubblebine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” –John Carter Cash\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I don’t think there are any live recordings of Johnny that weren’t originally intended to be an album. So to be able to stumble across such a live recording during such a golden era for him, and find that it was recorded in such a dynamic way, is incredible. It’s an opportunity to show Johnny in a new light. When John Carter Cash heard the first fifteen seconds of this recording, he recognized it as something significant. It has a three-dimensional, dynamic quality that a lot of live music from that era does not have.”\u003c\/p\u003e\n\u003cp\u003e–Josh Matas,\u003cspan\u003e \u003c\/span\u003eon behalf of the\u003cspan\u003e \u003c\/span\u003eJohn\u003cspan\u003e \u003c\/span\u003eR.\u003cspan\u003e \u003c\/span\u003eCash\u003cspan\u003e \u003c\/span\u003eTrust\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD Track List: [use combination of other photos\/graphics]\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApril 24, 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li1\"\u003eCocaine Blues\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLong Black Veil\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOrange Blossom Special\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGoing to Memphis\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Ballad of Ira Hayes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRock Island Line\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGuess Things Happen That Way\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDon’t Think Twice, It’s All Right\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGive My Love to Rose\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGreen, Green Grass of Home\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOld Apache Squaw\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLorena\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eForty Shades of Green\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBad News\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eJackson\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTall Lover Man\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eJune’s Song Introduction\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWildwood Flower\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFoggy Mountain Top\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThis Land Is Your Land\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWabash Cannonball\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eWorried Man Blues\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLong Legged Guitar Pickin’ Man\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eRing of Fire\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBig River\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDon’t Take Your Guns to Town\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eI Walk the Line\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col start=\"3\"\u003e\u003c\/ol\u003e\n\u003ch2\u003e\u003c\/h2\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":40011969167544,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/cd_b742955a-e8e2-4ab8-ac4c-33cfe8947279.jpg?v=1631548706"},{"product_id":"osf-johnny-cash-at-the-carousel-ballroom-april-24-1968-special-edition-vinyl-box","title":"OSF JOHNNY CASH AT THE CAROUSEL BALLROOM, APRIL 24, 1968 Special Edition Vinyl Box","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eSHIPPING NOW!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Owsley Stanley Foundation presents Bear’s Sonic Journals: Johnny Cash\u003c\/p\u003e\n\u003cp\u003eAt the Carousel Ballroom, April 24, 1968\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\u003cstrong\u003eSpecial Edition Vinyl Box\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e\n\u003cli\u003eLimited Edition Deluxe Box Set\u003cspan\u003e \u003c\/span\u003efeaturing: psychedelic colored vinyl, retro re-print Johnny Cash Comic Book, original concert poster and more.\u003c\/li\u003e\n\u003cli\u003eAn hour of live performances from April 24, 1968 at the Carousel Ballroom in San Francisco, CA. \u003c\/li\u003e\n\u003cli\u003e12 page booklet includes musings on Johnny Cash from contributors Bob Weir, John Carter Cash, and Dave Schools.\u003c\/li\u003e\n\u003cli\u003eA stunning all-analog production painstakingly mastered by Bear’s collaborator Paul Stubblebine directly from the original source tape!\u003c\/li\u003e\n\u003cli\u003eOriginal artwork by 3x Grammy-winner Susan Archie.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” –John Carter Cash\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAfter a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAt Folsom Prison\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAt San Quentin\u003c\/em\u003e. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohnny Cash - At the Carousel Ballroom\u003c\/em\u003e, recorded on April 24, 1968, captures the Man in Black at the height of his charismatic powers. Confidently departing from the more formalized setlist he’d been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his longtime musicians—guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland—connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.\u003c\/p\u003e\n\u003cp style=\"font-weight: 300;\" data-mce-style=\"font-weight: 300;\"\u003e \u003c\/p\u003e\n\u003cp\u003eWhat makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley “Bear” Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear’s continuing “sonic journal” of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he’d captured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I don’t think there are any live recordings of Johnny that weren’t originally intended to be an album. So to be able to stumble across such a live recording during such a golden era for him, and find that it was recorded in such a dynamic way, is incredible. It’s an opportunity to show Johnny in a new light. When John Carter Cash heard the first fifteen seconds of this recording, he recognized it as something significant. It has a three-dimensional, dynamic quality that a lot of live music from that era does not have.”\u003c\/p\u003e\n\u003cp\u003e–Josh Matas, on behalf of the John R. Cash Trust\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003csection id=\"features\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLimited Edition\u003c\/li\u003e\n\u003cli\u003eDouble LP\u003c\/li\u003e\n\u003cli\u003eColor Vinyl\u003c\/li\u003e\n\u003cli\u003ePreviously Unreleased\u003c\/li\u003e\n\u003cli\u003eNew Essays by John Carter Cash, Starfinder Stanley, Bob Weir \u0026amp; Dave Schools\u003c\/li\u003e\n\u003cli\u003eNew Art by Susan Archie\u003c\/li\u003e\n\u003cli\u003eReproduction of the Original Carousel Ballroom Concert Poster\u003c\/li\u003e\n\u003cli\u003eGatefold\u003c\/li\u003e\n\u003cli\u003eComic Book\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/section\u003e\n\u003csection id=\"selections\"\u003e\n\u003ch3\u003eSelections\u003c\/h3\u003e\n\u003ch4\u003eSide A:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eCocaine Blues\u003c\/li\u003e\n\u003cli\u003eLong Black Veil\u003c\/li\u003e\n\u003cli\u003eGoing To Memphis\u003c\/li\u003e\n\u003cli\u003eThe Ballad Of Ira Hayes\u003c\/li\u003e\n\u003cli\u003eRock Island Line\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide B:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eGuess Things Happen That Way\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eDon't Think Twice, It's All Right\u003c\/li\u003e\n\u003cli\u003eGive My Love To Rose\u003c\/li\u003e\n\u003cli\u003eGreen, Green Grass Of Home\u003c\/li\u003e\n\u003cli\u003eOld Apache Squaw\u003c\/li\u003e\n\u003cli\u003eLorena\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide C:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eForty Shades Of Green\u003c\/li\u003e\n\u003cli\u003eBad News\u003c\/li\u003e\n\u003cli\u003eJackson - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eTall Lover Man - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eJune Carter Medley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide D:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eLong Legged Guitar Pickin' Man - Johnny Cash \u0026amp; June Carter Cash\u003c\/li\u003e\n\u003cli\u003eRing Of Fire\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eDon't Take Your Guns To Town\u003c\/li\u003e\n\u003cli\u003eI Walk The Line\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/section\u003e\n\u003col class=\"ol1\"\u003e\u003c\/ol\u003e\n\u003col start=\"3\"\u003e\u003c\/ol\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":40087868014776,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/Untitled-8.jpg?v=1633640316"},{"product_id":"osf-owsley-high-purple-sleeves-grey-heather-raglan","title":"OSF Owsley High Purple Sleeves Grey Heather Raglan","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLAT - Baseball Fine Jersey Tee - 6930\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Small","offer_id":40271724970168,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":40271725002936,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":40271725035704,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":40271725068472,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true},{"title":"2X-Large","offer_id":40271725101240,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false},{"title":"3X-Large","offer_id":40271725134008,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/HeatherandPurple.jpg?v=1629234347"},{"product_id":"osf-johnny-cash-at-the-carousel-ballroom-april-24-1968-poster-signed-and-numbered-run-of-250","title":"OSF JOHNNY CASH AT THE CAROUSEL BALLROOM, APRIL 24, 1968 Poster Signed and numbered run of 250 - D26","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Helvetica, Verdana, Arial\" style=\"font-family: Helvetica, Verdana, Arial;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned and Numbered\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cspan\u003eLimited run of 250\u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e13×19 inches\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":40673255063736,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/cashposter.jpg?v=1633969761"},{"product_id":"osf-house-of-cash-tote-bag","title":"OSF HOUSE OF CASH TOTE BAG","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNatural tote bag with black straps featuring Bear's Sonic Journals vintage design from the April 24th 1968 Carousel Ballroom Johnny Cash Show concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 oz., 100% cotton\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-fabric handles\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":40821325660344,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/JCtoteb.jpg?v=1636739513"},{"product_id":"osf-carousel-ballroom-tie-dye-floral-t-shirt","title":"OSF CAROUSEL BALLROOM TIE DYE FLORAL T-SHIRT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlue and yellow tie-dye t-shirt featuring Bear's Sonic Journals vintage design from the April 24th, 1968 Carousel Ballroom Johnny Cash Show concert.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlease note that this style is a pre-order, allow 6-8 weeks for product to ship.\u003c\/span\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Small","offer_id":40821363703992,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":40821363736760,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":40821363769528,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":40821363802296,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true},{"title":"2X-Large","offer_id":40821363835064,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true},{"title":"3X-Large","offer_id":40821363867832,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/cashtee.jpg?v=1636740326"},{"product_id":"osf-carousel-ballroom-white-floral-t-shirt","title":"OSF CAROUSEL BALLROOM WHITE FLORAL T-SHIRT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite t-shirt featuring Bear's Sonic Journals vintage design from the April 24th 1968 Carousel Ballroom Johnny Cash Show concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.5 oz., 100% preshrunk ring spun cotton\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Small","offer_id":40906307862712,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":40906307895480,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":40906307928248,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":40906307961016,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"2X-Large","offer_id":40906307993784,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true},{"title":"3X-Large","offer_id":40906308026552,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/JC3.jpg?v=1638809863"},{"product_id":"osf-bears-sonic-journals-the-foxhunt-features-the-chieftains-performing-live-in-san-francisco-in-1973-cd","title":"OSF - Bear's Sonic Journals: The Foxhunt features the Chieftains performing live in San Francisco in 1973 \u0026 1976 CD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cblockquote\u003e\n\u003ch1 aria-hidden=\"true\" id=\"cw-img-container-r1.100000023841858\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/blockquote\u003e\n\u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"mail-message-defaults\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eCelebrating 60 years of The Chieftains, the Owsley Stanley Foundation presents \u003ci\u003eBear's Sonic Journals:  The Foxhunt, The Chieftains Live in San Francisco 1973 \u0026amp; 1976\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eThe 1973 recording finds The Chieftains on their first tour in the U.S., playing an unscheduled gig at Jerry Garcia's invitation to open for his bluegrass band, Old \u0026amp; In The Way.  The evening presented the perfect pairing of Irish traditional music, and its cousin, American bluegrass.  Bear's recordings of Old \u0026amp; In The Way cemented his reputation as a master of live concert recordings.  This is the missing half of that story -- both sonically and musically -- and one of the gems of Bear's Sonic Journal archive. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eThe 1976 recording (CD only) includes a second complete concert recorded by Bear, this time at the Great American Music Hall.  If The Chieftains arrived in San Francisco as relative unknowns in '73, they returned in '76 as a global sensation, headlining before a sold-out crowd at a larger venue. As usual, Bear's recording captures exactly what it was like to be in the room that night! The Bay Area audience clearly adored The Chieftains (as did Bear), and The Chieftains loved them right back. It was a performance that Paddy remembered more than 45 years later and was thrilled to rediscover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003ePaddy Maloney, the founder of the Chieftains, sat for two full days of interviews with OSF for this release while listening to the entirety of Bear's recordings\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003eof The Chieftains. In keeping with his outsized, charming personality, he warmly reminisced about these shows, his early days with The Chieftains, and his relationship to Jerry Garcia, who helped introduce the band to America. Sadly, Paddy passed away at age 83 shortly after these sessions, which turned out to be his final in-depth interviews. The extensive liner notes pay loving tribute to Paddy, while bonus tracks on the CD edition include moving audio excerpts from those last days.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eSonically, the Oct 1, 1973 Boarding House show is cut from the same cloth as Bear's 1973 master recording of Old \u0026amp; In The Way at the same venue from the following week, long revered for its startlingly life-like recreation of the stage and its acoustic detail. The Owsley Stanley Foundation's first release was a series of performances by Doc \u0026amp; Merle Watson, recorded by Bear at the same venue in May 1974.\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e\u003ci\u003eStereophile\u003c\/i\u003e magazine described that release as \"the most extraordinary Doc Watson ever captured on tape. \u003ci\u003eEver\u003c\/i\u003e.\" Taken together, this recording of The Chieftains from that same time and place completes a Boarding House trilogy which showcases Bear's mastery of recording bluegrass and its Irish progenitor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"gmail-ul1\"\u003e\n\u003cli\u003e\u003cspan\u003eThe 2-CD set appears in a 36-page mediabook format and contains two complete concerts -- nearly 2.5 hours of music -- from the Boarding House on October 1, 1973 and the Great American Music Hall on May 5, 1976. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCD Bonus tracks include Jerry Garcia discussing the Irish roots of American bluegrass music during a radio show he did with The Chieftains in 1973, and excerpts from OSF's extensive, in-person interview with Paddy Moloney from August 2021, sadly, his last major interview.\u003c\/li\u003e\n\u003cli\u003eThe set includes a lavish booklet with original cover art by Dublin native, Conor Campbell, calligraphy by Alembic's Mica Wickersham, previously unpublished photographs, liner notes featuring new interviews with Paddy Moloney, Ricky Skaggs, and legendary soundman, Brian Masterson (of Windmill Lane studios fame), Bay Area soundman, Lee Brenkman, and others.\u003c\/li\u003e\n\u003cli\u003eThese tapes were transferred and mastered by Jeffrey Norman (Mockingbird Mastering). \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s3\"\u003e\u003cb\u003eThe Chieftains\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Paddy Moloney – uilleann pipes, tin whistle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Derek Bell – Irish harp, dulcimer, timpán, oboe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Seán Keane – fiddle, tin whistle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Michael Tubridy – flute, concertina, tin whistle \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Seán Potts – tin whistle, bones, bodhrán \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Martin Fay – fiddle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e·       Peadar Mercier – bodhrán, bones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003eDisk 1: The Boarding House, October 1, 1973\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e1.     Drowsy Maggie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e2.     Band Introductions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e3.     Morgan Magan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e4.     Carrickfergus (Do Bhí Bean Uasal)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e5.     The Morning Dew\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e6.     Lord Inchiquin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e7.     An Fhallaingín Mhuimhneach (The Munster Cloak)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e8.     The Foxhunt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e9.     Mná na hÉireann (The Women of Ireland)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e10.  Carolan's Concerto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e11.  Kerry Slides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003eGreat American Music Hall, May 5, 1976\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e12.  Medley: Strike the Gay Harp\/The March of the King of Laois\/The Lady on the Island\/The\u003cbr\u003eSailor on the Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e13.  Lord Inchiquin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e14.  An Fhallaingín Mhuimhneach (The Munster Cloak)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e15.  Kerry Slides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e16.  Samhradh, Samhradh (Summertime, Summertime)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e17.  The Foxhunt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e18.  George Brabazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p3\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003eDisk 2: Great American Music Hall, May 5, 1976\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e1.     Medley: Seán Chuilfhionn \/Clare Reel\/ Róisín Dubh\/John O'Connor\/Golden Gate Slides\/Steam Packet Selections (reels)\/Pretty Girls Reel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e2.     Timpán Reel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e3.     Marbhna Luimnigh (Limerick's Lamentation)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e4.     O’Keefe’s Slide\/Round the House and Mind the Dresser\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e5.     Ceol Bhriotánach (Breton Music) (4 pieces)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e6.     Humours of Carolan: Planxty Maguire\/Charles O'Conor\/Carolan's Farewell to Music\/Sí\u003cbr\u003eBeag, Sí Mhór (Small Fairy Mound, Big Fairy Mound)\/Bumper Squire Jones\/Planxty\u003cbr\u003eJohnston\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e7.     Introduction to the Battle of Aughrim\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e8.     Battle of Aughrim\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e9.     The Morning Dew\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e10.  Mná na hÉireann (The Women of Ireland)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e11.  Kerry Slides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e12.  Tabhair dom do Lámh (Give Me Your Hand)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e13. Ríl Mhór Bhaile an Chalaidh (Great Reel of Baile an Chalaidh)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e\u003cb\u003eBonus Material\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e14. J. Garcia On the Irish Roots of Bluegrass (KSAN, 1973)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"gmail-p2\"\u003e\u003cspan class=\"gmail-s1\"\u003e15. P. Moloney, The Final Interview (excerpts)(Sandycove, 2021)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":41759669813432,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/cd_334c7bc0-5b11-4898-8ade-2e5de2773b84.jpg?v=1658425978"},{"product_id":"osf-bears-sonic-journals-the-foxhunt-features-the-chieftains-performing-live-in-san-francisco-in-1973-vinyl","title":"OSF - Bear's Sonic Journals: The Foxhunt features the Chieftains performing live in San Francisco in 1973 VINYL","description":"\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCelebrating 60 years of The Chieftains, the Owsley Stanley Foundation presents Bear's Sonic Journals:  The Foxhunt, The Chieftains Live in San Francisco 1973, on their first tour in the U.S., playing an unscheduled gig at Jerry Garcia's invitation.  \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 LP, all-analog production, painstakingly mastered by Bear’s collaborator Paul Stubblebine directly from the original source tape.\u003c\/li\u003e\n\u003cli\u003eVintage performance by The Chieftains on their very first U.S. tour, recorded live by Owsley Stanley at the Boarding House on October 1, 1973.\u003c\/li\u003e\n\u003cli\u003e16-page media book featuring original cover art by Dublin native, Conor Campbell, calligraphy by Alembic's Mica Wickersham, previously unpublished photographs, liner notes including new interviews with Paddy Moloney, Ricky Skaggs, and legendary soundman, Brian Masterson (of Windmill Lane studios fame).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"ul1\"\u003e\u003c\/ul\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":41759712247992,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/lp_c611bdd7-1981-45c6-b767-ec6ab4053361.jpg?v=1658412319"},{"product_id":"osf-the-chieftains-in-san-francisco-poster","title":"OSF - The Chieftains in San Francisco Poster D23","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003eThe Foxhunt \u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003eThe Chieftains live in San Francisco 1973 \u0026amp; 1976\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003eArt by Conor Campbell\u003cbr data-mce-fragment=\"1\"\u003eLimited run of 100\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIncludes the complete gatefold painting from LP\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eHard Stock\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e19x13 inches\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":41877299658936,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/products\/foxhunt.jpg?v=1661524195"},{"product_id":"osf-wake-the-dead-show-poster","title":"OSF - Wake The Dead Show Poster 2022","description":"\u003cdiv\u003eFeaturing Wake the Dead and David Nelson \u0026amp; 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Bear’s Sonic Journals: Allman Brothers Band Fillmore East February 1970 presents restored and mastered recordings of the Allman Brothers Band’s performances at New York City’s Fillmore East on February 11, 13 \u0026amp; 14, 1970, captured by legendary Grateful Dead soundman Owsley “Bear” Stanley, who is known for the purity of his “Sonic Journal” recordings and their uncanny ability to place the listener in the venue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Allman Brothers Band in 1970 was on the brink of superstardom. They had only been together for 11 months when promoter Bill Graham, who had booked them in San Francisco and New York, invited them back to the Fillmore East on a triple bill with Grateful Dead and Love. And fortunately for us, the Dead’s soundman Owsley “Bear” Stanley had his tapes rolling. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTransferred and mastered from the original tapes in Owsley Stanley’s archives, this is essential listening for Allman Brothers Band fans, showcasing the original line up of the legendary group with Duane Allman in top form. The seven-song set features blues covers that the band would long employ in their sets (“Hoochie Coochie Man,” “Statesboro Blues”), the morphable spin-off of Donovan’s “Mountain Jam,” the ominous Gregg Allman composition “Whipping Post,” plus the earliest known live recordings of their show opener, Dickey Betts’ monstrous instrumental “In Memory Of Elizabeth Reed,” which had just been penned shortly before these shows.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I had no prior experience with mixing their music, so I hope you don’t mind the rough edges in my mixes here,” wrote Bear in the original liner notes for this collection. “There was a wonderful feeling at these concerts that made the shows a lot of fun for us all...I had a good time working at these shows, and I hope you will have a good time listening to this historic early Allman Brothers Band.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough the Allman Brothers Band in early 1970 had but one studio album under their belt, word of mouth about their incendiary and improvisational marathon live shows had begun to spread. In his liner notes, John Lynskey, ABB authority and Chief Archivist of the Big House Museum, aptly describes the Allman Brothers Band’s music as a “wicked blend of rock, jazz and R\u0026amp;B that created a dynamic, groundbreaking sound.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented by the Owsley Stanley Foundation and the band--DUANE ALLMAN, GREGG ALLMAN, DICKEY BETTS, BERRY OAKLEY, JAIMOE aka J. JOHANNY JOHNSON and BUTCH TRUCKS--Bear’s Sonic Journals captures the nascent group on the rise; they would return to the Fillmore just a year later to record At Fillmore East, which continues to be included in conversations about the best live rock albums ever.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBear’s Sonic Journals: Allman Brothers Band Fillmore East February 1970 track list:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP Side 1:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Memory Of Elizabeth Reed 9:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHoochie Coochie Man 6:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStatesboro Blues 4:16\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP Side 2:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrouble No More 4:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOutskirts Of Town 8:29\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhipping Post 8:11\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP Side 3:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMountain Jam 15:20\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP Side 4:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMountain Jam (continued) 15:46\u003c\/span\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":42541581664440,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/files\/ShowImages-4764.jpg?v=1698422342"},{"product_id":"osf-bears-sonic-journals-sing-out-3cd-set","title":"Bear's Sonic Journals: Sing Out! 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Meriwether and Jesse Jarnow; original artwork by Grammy Award-winner Susan Archie; new interviews with the friends and family of this spectacular lineup; and never-before-seen photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e– 36 tracks and more than 2.5 hours of music Rare treats for Deadheads include Jerry and Bobby playing one of the only acoustic performances of Buddy Holly’s “Oh Boy!” and a singular rendition of “Friend of the Devil” for the first time in an acoustic set since 1970.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDisc 1:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eWavy's Welcome\u003cbr data-mce-fragment=\"1\"\u003eSave The Whales\u003cbr data-mce-fragment=\"1\"\u003eJanis\u003cbr data-mce-fragment=\"1\"\u003ePicks and Lasers\u003cbr data-mce-fragment=\"1\"\u003eSlide Trombone Blues\u003cbr data-mce-fragment=\"1\"\u003eOh! Susanna\u003cbr data-mce-fragment=\"1\"\u003eYankee Doodle\u003cbr data-mce-fragment=\"1\"\u003eCountry Joe dedicates tonight's cheer\u003cbr data-mce-fragment=\"1\"\u003eFeel-Like-I'm-Fixin'-To-Die Rag\u003cbr data-mce-fragment=\"1\"\u003eWavy Gravy running things like a Swiss watch\u003cbr data-mce-fragment=\"1\"\u003eFor The Lovin' Of The Game\u003cbr data-mce-fragment=\"1\"\u003eIf You Love Me\u003cbr data-mce-fragment=\"1\"\u003e12 Adler Place\u003cbr data-mce-fragment=\"1\"\u003ePostcard From India\u003cbr data-mce-fragment=\"1\"\u003eYou've Got To Go To Sleep Alone\u003cbr data-mce-fragment=\"1\"\u003eScared To Be Alone\u003cbr data-mce-fragment=\"1\"\u003eI Remember Loving You\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDisc 2:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eWavy Introduces Kate Wolf\u003cbr data-mce-fragment=\"1\"\u003eYou're Not Standing Like You Used To\u003cbr data-mce-fragment=\"1\"\u003eShining!\u003cbr data-mce-fragment=\"1\"\u003e20\/20 Vision\u003cbr data-mce-fragment=\"1\"\u003eUnfinished Life\u003cbr data-mce-fragment=\"1\"\u003eEyes Of A Painter\u003cbr data-mce-fragment=\"1\"\u003eLet's Get Together\u003cbr data-mce-fragment=\"1\"\u003eLike A River\u003cbr data-mce-fragment=\"1\"\u003eRhythm Devils\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eDisc 3:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntroduction and Tuning\u003cbr data-mce-fragment=\"1\"\u003eDeep Elem Blues\u003cbr data-mce-fragment=\"1\"\u003eDark Hollow\u003cbr data-mce-fragment=\"1\"\u003eJack-A-Roe\u003cbr data-mce-fragment=\"1\"\u003eMonkey And The Engineer\u003cbr data-mce-fragment=\"1\"\u003eFriend Of The Devil\u003cbr data-mce-fragment=\"1\"\u003eEl Paso\u003cbr data-mce-fragment=\"1\"\u003eOh, Babe, It Ain't No Lie\u003cbr data-mce-fragment=\"1\"\u003eOn The Road Again\u003cbr data-mce-fragment=\"1\"\u003eOh Boy!\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":42754764964024,"sku":"711574939824","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/files\/singout_cd801b21-086a-4b8a-a768-f1f830925de7.jpg?v=1704818486"},{"product_id":"bears-sonic-journals-sing-out-berkeley-community-theater-poster","title":"Bear's Sonic Journals: Sing Out! 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With Jerry Garcia, Bob Weir, Country Joe McDonald, Kate Wolf, Rosalie Sorrells, \u0026amp; Rhythm Devils\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eBerkeley Community Theater, April 25, 1981\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e13\" x 19\"\u003c\/div\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eArt by Susan Archie\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eSigned and numbered \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eLimited run of 200\u003c\/div\u003e\n\u003cbr\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":42970130809016,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/files\/so.jpg?v=1708451075"},{"product_id":"john-hammond-bears-sonic-journals-youre-doin-fine-blues-at-the-boarding-house-june-2-3-1973-3cd","title":"JOHN HAMMOND - BEAR'S SONIC JOURNALS: YOU'RE DOIN' FINE (BLUES AT THE BOARDING HOUSE, JUNE 2\u00263, 1973) 3CD","description":"\u003cp\u003e\u003cstrong\u003eJohn Hammond - Bear’s Sonic Journals: You’re Doin’ Fine (Blues at the Boarding House, June 2\u0026amp;3, 1973) 3CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis 3CD set\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"qa-highlight\"\u003ecaptures a rare and exceptional blues performance at the Boarding House in San Francisco on June 2-3, 1973\u003c\/span\u003e. Legendary producer and blues enthusiast John Hammond curated this recording, which features a stellar lineup of blues musicians. The set was recorded by Owsley “Bear” Stanley, renowned for his exceptional sound engineering skills.\u003c\/p\u003e\n\u003cp\u003eThe 3CD collection showcases a range of blues styles, from traditional to contemporary, with performances by notable artists of the time. Unfortunately, the search results do not provide a comprehensive tracklisting for this specific release. However, it is likely to feature a mix of solo and group performances, with artists such as Muddy Waters, Howlin’ Wolf, and other blues legends.\u003c\/p\u003e\n\u003cp\u003eThis recording is significant not only for its exceptional sound quality but also for its historical importance. The Boarding House was a prominent music venue in San Francisco during the 1970s, hosting many notable acts, including the Grateful Dead. The presence of Bear Stanley as the recording engineer adds to the significance of this release, as he was known for his work with the Grateful Dead and other prominent rock and blues acts.\u003c\/p\u003e\n\u003cp\u003eOverall,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Hammond - Bear’s Sonic Journals: You’re Doin’ Fine (Blues at the Boarding House, June 2\u0026amp;3, 1973) 3CD\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a valuable addition to any blues music collection, offering a unique glimpse into the vibrant blues scene of the 1970s and the exceptional sound quality that Bear Stanley was known for.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eYou’re Doin’ Fine – Blues at the Boarding House, June 2 \u0026amp; 3, 1973\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cul type=\"disc\"\u003e\n\u003cli\u003e3 CDs with 45 tracks and more than 3 hours of music\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\n\u003c\/li\u003e\n\u003cli\u003eA 60-page booklet with extensive new interviews with John Hammond, original new tribute verse from Tom Waits, memories from Jorma Kaukonen, and original artwork by Richard Biffle\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisc 1\u003c\/p\u003e\n\u003cp\u003eWang Dang Doodle\u003c\/p\u003e\n\u003cp\u003eGambling Blues\u003c\/p\u003e\n\u003cp\u003eI Can't Be Satisfied\u003c\/p\u003e\n\u003cp\u003eHitchhiking Woman\u003c\/p\u003e\n\u003cp\u003eShake For Me\u003c\/p\u003e\n\u003cp\u003eHoneymoon Blues\u003c\/p\u003e\n\u003cp\u003eRag Mama\u003c\/p\u003e\n\u003cp\u003eSweet Home Chicago\u003c\/p\u003e\n\u003cp\u003eI Wish You Would\u003c\/p\u003e\n\u003cp\u003eKing Bee\u003c\/p\u003e\n\u003cp\u003eHelp Me\u003c\/p\u003e\n\u003cp\u003eDeath Bells\u003c\/p\u003e\n\u003cp\u003eHoneymoon Blues\u003c\/p\u003e\n\u003cp\u003eDisc 2\u003c\/p\u003e\n\u003cp\u003eYou're So Fine\u003c\/p\u003e\n\u003cp\u003eLook On Yonder's Wall\u003c\/p\u003e\n\u003cp\u003eTraveling Riverside Blues\u003c\/p\u003e\n\u003cp\u003eLittle Rain\u003c\/p\u003e\n\u003cp\u003eTruckin' Little Baby\u003c\/p\u003e\n\u003cp\u003eIt's Too Late, She's Gone\u003c\/p\u003e\n\u003cp\u003eYou Don't Love Me\u003c\/p\u003e\n\u003cp\u003eRidin' In The Moonlight\u003c\/p\u003e\n\u003cp\u003eMalted Milk\u003c\/p\u003e\n\u003cp\u003eI Can't Be Satisfied\u003c\/p\u003e\n\u003cp\u003eIt Hurts Me Too\u003c\/p\u003e\n\u003cp\u003eBoogie Chillen'\u003c\/p\u003e\n\u003cp\u003eShe Moves Me\u003c\/p\u003e\n\u003cp\u003eRag Mama\u003c\/p\u003e\n\u003cp\u003eAsk Me Nice\u003c\/p\u003e\n\u003cp\u003eLove Changing Blues\u003c\/p\u003e\n\u003cp\u003ePreachin' Blues\u003c\/p\u003e\n\u003cp\u003eDisc 3\u003c\/p\u003e\n\u003cp\u003eGo On To School\u003c\/p\u003e\n\u003cp\u003eRide 'Til I Die\u003c\/p\u003e\n\u003cp\u003eDrunken Hearted Man\u003c\/p\u003e\n\u003cp\u003eLook On Yonder's Wall\u003c\/p\u003e\n\u003cp\u003eTerraplane Blues\u003c\/p\u003e\n\u003cp\u003eNo Money Down\u003c\/p\u003e\n\u003cp\u003eTruckin' Little Baby\u003c\/p\u003e\n\u003cp\u003eGround Hog Blues\u003c\/p\u003e\n\u003cp\u003eJunco Partner\u003c\/p\u003e\n\u003cp\u003eI'm Leaving You\u003c\/p\u003e\n\u003cp\u003eFrom Four Until Late\u003c\/p\u003e\n\u003cp\u003eTraveling Riverside Blues\u003c\/p\u003e\n\u003cp\u003eHitchhiking Woman\u003c\/p\u003e\n\u003cp\u003eShake For Me\u003c\/p\u003e\n\u003cp\u003eIt's Too Late, She's Gone\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":48604881879224,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/files\/aa_f32e63dc-badb-4fe5-8a7b-a63410ecc73b.jpg?v=1727888325"},{"product_id":"bears-sonic-journals-youre-doin-fine-blues-at-the-boarding-house-poster","title":"BEAR'S SONIC JOURNALS: YOU'RE DOIN' FINE (BLUES AT THE BOARDING HOUSE) Poster 8","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ci\u003eYou’re Doin’ Fine – Blues at the Boarding House, June 2 \u0026amp; 3, 1973 POSTER\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e13\" x 19\"\u003c\/div\u003e\n\u003cul type=\"disc\"\u003e\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eArt by \u003cmeta charset=\"utf-8\"\u003eRichard Biffle\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eSigned and numbered \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" dir=\"auto\"\u003eLimited run of 125\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Owsley Stanley Foundation","offers":[{"title":"Default Title","offer_id":48604962685112,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/2316\/4576\/files\/cc_802bd490-7ad3-4f76-8fee-ef84b7df2c53.jpg?v=1727889269"},{"product_id":"bears-sonic-journals-sing-out-berkeley-community-theater-4-25-1981-color-lp","title":"Bear's Sonic Journals: Sing Out! 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